Singing God's Words: The Performance of Biblical Chant in Contemporary Judaism

By Jeffrey A. Summit (Oxford University Press) 2016

Singing God's Words is the first in-depth study of the experience and meaning of chanting or "reading" Torah among contemporary American Jews. This experience has been transformed dramatically in recent years by the impact of digital technology, feminism, the empowerment of lay people and a search for self-fulfillment through involvement with community. At a time when worshippers seek deeper spiritual experience, many Jews have found new meaning in the experience of reading Torah, an act that is broadly accessible to Jewish adults even as it requires intensive immersion with the text of the Bible in Hebrew.

This book examines why and how growing numbers of American Jews in all denominations see the public chanting of Biblical texts during the synagogue service as one of the most authentic and personal expressions of their religious identity. Drawing on hundreds of interviews with men and women, both professionals and congregants, Jeffrey A. Summit describes how the reading of Torah embodies their understanding of historical religious practice, even as it is shaped by contemporary views of spiritual experience. Through this act, holiness becomes manifest at the intersection of Biblical chant, sacred text, the individual, and the community.

The Lord’s Song In a Strange Land: Music and Identity in Contemporary Jewish Worship

By Jeffrey A. Summit
Oxford University Press, March 2003

Winner of the 2000 Musher Publication Prize by the National Foundation for Jewish Culture

Combining oral history with an analysis of recordings, The Lord's Song in a Strange Landexamines this tradition in contemporary Jewish worship and explores the diverse links between the music and both spiritual and cultural identities. Alive with detail, the book focuses on metropolitan Boston and covers the full range of Jewish communities there, from Hasidim to Jewish college students in a transdenominational setting. It documents a remarkably fluid musical tradition, where melodies are often shared, where sources can be as diverse as Sufi chant, Christmas carols, rock and roll, and Israeli popular music, and where the meaning of a song can change from one block to the next.
–Oxford University Press

Abayudaya: The Jews Of Uganda

By Richard Sobol and Jeffrey A. Summit, Abbeville Press, August 2002

The 1000 members of the Abayudaya community living in a remote area of eastern Uganda lead a life devoted to traditional Jewish practices. They observe the Sabbath and holidays, attend services, follow dietary laws, and cling tightly to traditions in their small mud and brick synagogues. Surrounded by Muslims and Christians, facing poverty and isolation, these people have maintained their Jewish way of life for four generations since the initial conversion of their leader Semei Kukungulu in 1917. Even during Idi Amin's reign of terror, when synagogues were closed and prayers had to be held in secret, the Abayudaya did not abandon their beliefs.

Richard Sobol is the first photojournalist to document this Jewish community's way of life and to relate their heroic story. His sensitive portraits and moving landscapes depict everyday life as well as their religious celebrations and rituals. His intriguing text chronicles the story of this community from its conception to the present. The book includes an annotated CD filled with powerful music and songs recorded by ethnomusicologist Jeffrey A. Summit, who has also provided an essay examining this unique mix of African and Jewish sounds.

Delicious Peace: Coffee, Music and Interfaith Harmony in Uganda

Smithsonian Folkways Recordings

The songs in this collection are written and performed by the coffee farmers of the Peace Kawomera (Delicious Peace) Fair Trade cooperative in Mbale, Uganda. Jewish, Christian, and Muslim farmers work together to overcome generations of conflict and poverty. Village guitar groups and women’s choirs sing to stress the transformative impact of Fair Trade prices and to encourage their neighbors to join the coffee cooperative. Accompanied with xylophone, drums, and other traditional instruments, these farmers sing of the benefits of interfaith cooperation and, through music, teach new cooperative members how to produce great coffee. J. J. Keki, the founder of the cooperative, says: “Use whatever you have to create peace! If you have music, use your music to create peace. For us, we have coffee. We are using coffee to bring peace to the world.”

For more information, video, photographs and liner notes search: Smithsonian Folkways Recordings, Delicious Peace or follow the links below:

Abayudaya: Music From the Jewish People of Uganda

Various Artists, Smithsonian Folkways Recordings, October 2003

Abayudaya: The Music of the Jews of Uganda presents a unique collection of African-Jewish music in which the rhythms and harmonies of Africa blend with Jewish celebration and traditional Hebrew prayer. This compelling repertoire is rooted in local Ugandan music and infused with rich choral singing, Afro-pop, and traditional drumming. The repertoire includes lullabies, political and children's song, religious rituals, hymns, and celebratory music, with song texts in Hebrew, English, and several Ugandan languages. This singular community of African people living committed Jewish lives has survived persecution and isolation and asserts, "We have been saved by our music." 24 tracks, comprehensive notes, lyrics, and translations. Recorded, compiled and annotated by Jeffrey A. Summit.

Media Appearances: “Here and Now” on WBUR radio on Boston National Public Radio, “The Tavis Smiley Show” on National Public Radio, or Hillel International article about GRAMMY nomination.

Nominated for a GRAMMY Award.

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Cultural Sustainabilities: Music, Media, Language, Advocacy

“Digital Technology, Chanting Torah, and the Sustainability of Tradition” in Cultural Sustainabilities: Music, Media, Language, Advocacy edited with an Introduction by Timothy J. Cooley. Foreword by Jeff Todd Titon. University of Illinois Press. 2019

A daring interdisciplinary journey into the nexus of the humanities and ecological science Environmental sustainability and human cultural sustainability are inextricably linked. Reversing damaging human impact on the global environment is ultimately a cultural question, and as with politics, the answers are often profoundly local. Timothy J. Cooley presents twenty-three essays by musicologists and ethnomusicologists, anthropologists, folklorists, ethnographers, documentary filmmakers, musicians, artists, and activists, each asking a particular question or presenting a specific local case study about cultural and environmental sustainability. Contributing to the environmental humanities, the authors embrace and even celebrate human engagement with ecosystems, though with a profound sense of collective responsibility created by the emergence of the Anthropocene.

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"Technology and the Transmission of Oral Tradition in the Contemporary Jewish Community" in Resounding Transcendence: Transitions in Music, Religion, and Ritual

Edited by Philip Bohlman and Jeffers Engelhardt, Oxford University Press, 2016

Resounding Transcendence is a pathbreaking set of ethnographic and historical essays by leading scholars exploring the ways sacred music effects cultural, political, and religious transitions in the contemporary world. With chapters covering Christian, Muslim, Jewish, and Buddhist practices in East and Southeast Asia, the Indian subcontinent, North America, the Caribbean, North Africa, and Europe, the volume establishes the theoretical and methodological foundations for music scholarship to engage in current debates about modern religion and secular epistemologies. It also transforms those debates through sophisticated, nuanced treatments of sound and music—ubiquitous elements of ritual and religion often glossed over in other disciplines.

Resounding Transcendence confronts the relationship of sound, divinity, and religious practice in diverse post-secular contexts. By examining the immanence of transcendence in specific social and historical contexts and rethinking the reified nature of "religion" and "world religions," these authors examine the dynamics of difference and transition within and between sacred musical practices. The work in this volume transitions between traditional spaces of sacred musical practice and emerging public spaces for popular religious performance; between the transformative experience of ritual and the sacred musical affordances of media technologies; between the charisma of individual performers and the power of the marketplace; and between the making of authenticity and hybridity in religious repertoires and practices. Broad in scope, rich in ethnographic and historical detail, and theoretically ambitious, Resounding Transcendence is an essential contribution to the study of music and religion.

"Advocacy and the Ethnomusicologist: Assessing Capacity, Setting Limits and Making Sustainable Contributions," in The Oxford Handbook of Applied Ethnomusicology

Edited by Jeff Todd Titon and Svanibor Pettan, Oxford University Press, 2015

Applied studies scholarship has triggered a not-so-quiet revolution in the discipline of ethnomusicology. The current generation of applied ethnomusicologists has moved toward participatory action research, involving themselves in musical communities and working directly on their behalf. The essays in The Oxford Handbook of Applied Ethnomusicology, edited by Svanibor Pettan and Jeff Todd Titon, theorize applied ethnomusicology, offer histories, and detail practical examples with the goal of stimulating further development in the field.

The essays in the book, all newly commissioned for the volume, reflect scholarship and data gleaned from eleven countries by over twenty contributors. Themes and locations of the research discussed encompass all world continents. The authors present case studies encompassing multiple places; other that discuss circumstances within a geopolitical unit, either near or far. Many of the authors consider marginalized peoples and communities; others argue for participatory action research. All are united in their interest in overarching themes such as conflict, education, archives, and the status of indigenous peoples and immigrants.

A volume that at once defines its field, advances it, and even acts as a large-scale applied ethnomusicology project in the way it connects ideas and methodology, The Oxford Handbook of Applied Ethnomusicology is a seminal contribution to the study of ethnomusicology, theoretical and applied.

"Nusah and Identity: The Contemporary Meaning of Traditional Jewish Prayer Modes" in Music and American Religious Experience

Edited by Philip V. Bohlman, Maria Chow, and Edith Blumhofer, Oxford University Press, 2005

For students and scholars in American music and religious studies, as well as for church musicians, this book is the first to study the ways in which music shapes the distinctive presence of religion in the United States. The sixteen essayists contributing to this book address the fullness of music's presence in American religion and religious history. Sacred music is considered in the broadest aesthetic sense, stretching from more traditional studies of hymnody and worship to new forms of musical expression, such as ritual in nonsectarian religious movements. Musical experience intersects with religious experience, posing challenging questions about the ways in which Americans, historical communities and new immigrants, and racial and ethnic groups, construct their sense of self. This book features an interdisciplinary approach that includes scholars in both musical and religious studies; a broad range of methodologies; historical breadth extending beyond denominational and church studies, and beyond Judeo-Christian traditions; and a comparative study of traditional religious communities and of emerging groups representing multiethnic America.
—Oxford University Press

“If You Prolong Your Stay at Table, You Prolong Your Life: Jewish Music and Food” in The Ethnomusicologist’s Cookbook

Edited by Sean Williams, Routledge Press, 2006

The Ethnomusicologists' Cookbook takes you around the world on a culinary journey that is also a cultural and social odyssey.

Many cookbooks offer a snapshot of individual recipes from different parts of the world, but do nothing to tell the reader how different foods are presented together, or how to relate these foods to other cultural practices. For years, ethnomusicologists have visited the four corners of the earth to collect the music and culture of native peoples, from Africa to the Azores, from Zanzibar to New Zealand. Along the way, they've observed how music is an integral part of social interaction, particularly when it's time for a lavish banquet or celebration. Foodways and cultural expression are not separate; this book emphasizes this connection through offering 47 complete meals, from appetizers to entrees to side dishes to desserts and drinks. A list of recommended CDs fills out the culinary experience, along with hints on how to present each dish and to organize the overall meal.
—Routledge publishing

"I'm a Yankee Doodle Dandy?" Identity and Melody at an American Simhat Torah Celebration"

Ethnomusicology 37/1, 1993

Ethnomusicology is the official organ of the Society for Ethnomusicology and contains scholarly articles on the wide variety of cultural study areas, theoretical questions and interdisciplinary approaches that are characteristic of the field of ethnomusicology. The journal also includes book, recording, film, and video reviews. Peer-reviewed by the international membership of the society, Ethnomusicology has been published three times a year since it emerged from the fledgling society's newsletter first published in 1953.

“Music and the Construction of Identity among the Abayudaya (Jewish people) of Uganda"

In The Garland Handbook of African Music, second edition. Edited by Ruth M. Stone, Routledge Publishing, 2008

The Garland Handbook of African Music is comprised of essays from The Garland Encyclopedia of World Music: Volume 1, Africa (1997). Revised and updated, the essays offer detailed, regional studies of the different musical cultures of Africa and examine the ways in which music helps to define the identity of this particular area.
Part I provides an in-depth introduction to African music, encompassing a broad geographical span and a variety of musical practices. Part II focuses on themes and issues that integrate the performance of music and other arts within Africa. Among these are notation and oral tradition, coyright law, music and Islam in Africa, and a consideration of music in HIV/AIDS prevention. Part III presents overview articles on regional musical practices in Africa, providing case studies that continue the themes discussed in Part II.

The second edition has been expanded to include exciting new scholarship that has been conducted since the first edition was published. Questions for Critical Thinking at the end of each major section guide and focus attention on what issues - musical and cultural - arise when one studies the music of Africa - issues that might not occur in the study of other musics of the world.

A Cabaret in the Warsaw Ghetto

Produced with Hankus Netsky. Hillel Foundation at Tufts University, 1993. Expanded and reissued by Hillel: The Foundation for Jewish Campus Life, 2005

Read the article about Cabaret in The Boston Globe.

Abayudaya: The Jews of Uganda.

CD to accompany the book, Abayudaya: The Jews of Uganda. Abbeville Press, 2002

Only available with purchase of book.

The Lord's Song in a Strange Land

CD to accompany the book The Lord's Song in a Strange Land: Music and Identity in Contemporary Jewish Worship.  Oxford University Press, 2000

Only available with purchase of book.

Shepherd of the Highways

Lyrics and music by Jeffrey A. Summit. Recorded as LP. Mount Moriah Music, 1976

Available by special order. Contact Jeffrey A. Summit.